Home
More Background
Models & Accessories
Ordering & Shipping
What People Have Said
About the Maker
Contact Us
Other Products

The Jig of Slurs
Featuring the Sessioneer in concert A

The Mist Covered Mountains
Featuring the Tattoo in concert B flat

The Battle of Waterloo Featuring the Pipe Major in GHB B flat

The Road to Lisdoonvarna
Featuring the Wee Dee in concert D


Contact Us if you are unable to hear the mp3s.

Subscribe to mailing list.

About the Maker

Duncan Gillis is a professional musician and instrument-maker living in Ottawa, Canada, with his wife Ananda and son Bodhi. His musical career began at the age of seven with lessons on the practice chanter from his father, Allan Gillis of Judique, Cape Breton, Nova Scotia. With his Cape Breton background, Duncan was exposed very early on to a living tradition of dance-music which has continued to guide his musical interests. His piping tutelage continued with the late Charlie Bell of the Air Command Pipes and Drums (Royal Canadian Air Force) and later, as a competing member of the Glengarry Pipe Band, with Roger Martin and Pipe Major J.T. MacKenzie. After working and playing in the re-enacted regiment of the 78th Fraser Highlanders on St. Helen’s Island, Montreal, Duncan played briefly with the all-to-brief Dunvegan Pipe Band under Pipe Major Scott MacAulay and Pipe Sergeant Colin MacLellan.



At some point in the late eighties, his interests in the wider scope of Celtic music took him from the pipe band setting to playing tin whistle, flute and other instruments in what are known as sessions and in various multi-instrumental bands. It is essentially through this experience that the idea of an instrument which possessed all of the subtle expressive possibilities of a fiddle or flute but which retained the fingering system of the Highland bagpipe, was born – the Highland Hornpipe. Duncan’s previous experience in making other folk woodwinds and his acquaintance with skilled instrument builders like Nathan Curry, Colin Carrigan and John
Bishop equipped him with the ability (or, some would say, insanity) to begin experimenting with single reeds and tubes of all types and sizes. Eventually, after many months of trial and error, the Highland Hornpipe came into existence in the fall of 2003.

Duncan’s musical career so far has seen him play at Highland games, folk-festivals, The House of Commons and Parliament Hill, the Governor General’s residence at Rideau Hall, the Grand Hall of the Canadian Museum of Civilization, and at a national welcome for Nelson Mandela. Duncan has shared the stage with Gaelic singers such as Catherine-Anne MacPhee and Patricia Murray, pipers such as Rob Crabtree, folk singers like Andy Irvine and Garnet Rogers and has performed and recorded with fiddle players such as Alexis MacIsaac and Pierre Schryer, and with singer-songwriters like Ian Tamblyn. Presently, Duncan, on Highland Hornpipe and his other instruments, is involved in a new group called Ecosse, with Bobby Watt (formerly of Cromdale) and James Stephens (The Finest Kind, Ian Robb and Jig, The Pierre Schryer Band, Six Mile Bridge). He also plays regularly at The Cape Breton Ceilidhs and Dances, which happen every two months at the Montgomery Legion Hall, 330 Kent St., Ottawa. More information on these events and on booking Duncan and friends can be found at www.wanderingminstrels.com.