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The Highland Hornpipe
plays one register below the Highland bagpipe, with a gorgeous
dark tone similar to a clarinet or the human voice; but since
it accommodates all bagpipe fingering and embellishments,
it ends up sounding quite unlike anything else. Because the
single beating reed is placed directly in the mouth where
it can be manipulated, the Highland Hornpipe has a range of
tonal expression and volume variability (dynamics) not available
on any bagpipe or practice chanter. G sharp and other unusual
notes can be played with cross-fingerings. And if you become
good at over-blowing, you can suddenly play high notes beyond
the range of the bagpipe chanter, opening up a whole new realm
of playing and composition possibilities. And of course, circular
breathing allows you to sound a continuous tone as on the
bagpipes.
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In 1794, the famous Scots poet Robert Burns
described in detail a hornpipe he had acquired and which was
considered typical for the Central Highlands:

Robert Burns in Emmerson.
Rantin' Pipe and Tremblin' String
(McGill - Queen’s Press. Montreal, 1971) p.183.
Thus, the Highland
Hornpipe traces its origins into the dim mists of
Highland Scottish history, and even prehistory. Examples of
hornpipes have been found in Bronze and Iron Age tombs and
there are references in 5th and 6th century Gaelic society
to hornpipes made of marsh reeds or corn-stalks fitted with
a single beating reed which produced the sound. It is believed
that primitive forms of this instrument were in use all over
the ancient world since time immemorial. Throughout its history,
the hornpipe has often been associated with shepherds. These
shepherds sometimes entertained themselves by step-dancing
while they played their instrument. Thus, the hornpipe gave
its name to a type of dance, which then gave its name to the
kind of tune played for that dance. Around the beginning of
the 19th century, the hornpipe (piobcorn in Gaelic, stock
and horn in Lowland Scots) became extinct.
Until Now...
The Highland Hornpipe
has arrived! The Highland Hornpipe is so
called because it is a version of the old hornpipes designed
specifically for Scottish Highland music and players. The
trade in hinder thigh-bones and Highland cow horn not being
what it once was, the modern materials of durable acrylic,
nickel-plated copper and sterling silver are used, which ensures
precision in tuning and playabilty, extremely low maintenance
and a fine appearance.
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